Friday, June 28, 2013

father and western woman

"This responsibility recently moved to the OCC, which uses a large-scale Monte Carlo-based risk management methodology, known as System for Theoretical Analysis and Numerical Simulations (“STANS”) that is said to evaluate approximately 7,000 risk factors."
Gone is the time a man looked at the sky and, from that light, knew immediately what he must do. Gone are many of a man's immediate reactions. Now he waits. Now he calls it risk. He gives names to the spirits and the numbers, the numbers that appeared in his dreams thousands of year ago, he gives numbers to the spirits. And now with his machine, now his machine gives numbers to the spirits, all 7000 of them.
It is a lost art, then, to look at the "equities" like my father once did. To open up the annual report, to read the story of the company, to think about the company in the context of the history of commerce, to think about the men who comprise the company and to think about the men and the societies that buy and sell these things the company produces.
Christ, when the western woman asks a man what his goals and objectives are, just as he is about to go into the wilderness. When she knows the number of her frequent shopping card but not what makes her child happy or her man happy. She, too, has 'managed risk.'
Risk management is about slowly turning off the oxygen to one's heart. One lets the intravenous drip of cold metal flow into one's veins until the flesh of the heart is destroyed and all that is left is a mechanism which pumps but does not feel.

My father was first given wonder by the spirits and sought them in the forest. Then, over time, when the forest was denied to him—or when, in defeat, he concluded that the forest had been denied to him—he let the cold metal flow deep into his veins until it choked his breath and his once-beating heart. To see your own father die. To feel his leaden death in the words which no longer come from the spirits, but the 7000 numbers. To touch a woman at night and to no longer feel a breath and anticipation from the sun-- from her man, from her child, from her village--but instead from the numbers that have fallen on her skin like ash and have frozen deeply her soul into the metal artifice of this matrix.

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