Wednesday, March 19, 2014
Icefields
It would have been fruitful to ‘capture’ some of
the ideas, but they are fleeting, like the delicate creatures that live in the
bottom of the ocean. To go after them would be to destroy them, to spook them.
The abyss is terrifying for some. All men face fear, all men face anxiety. Even
the Eskimo—when he faces a wind of 60mph, when he faces cold of -50F, when he faces a white out—a man can die in such conditions,
and if he dies, I cannot imagine—is this man hunting alone—that is to say, is
this man hunting only for himself? Or is this man part of a band? Does he have
a son waiting for him? It makes a difference because death may be peaceful if a
man is doing what he wants and is not burdened by a horizon. Is the man on a
voyage far across an ice plain? Does he wish to see the other side? Perhaps he
could be at peace that he dies while moving across his ice plain, dying with so
many friendly voices, dying with so much good ice. Yet what if the man had not
yet made friends with his ice and the voices? What if all this man thought
about during his whole journey was ‘the other side’? What if the other side is
all the man wants? Wanting is an
affliction. So much is around a man for all of what is around him to be his
friend. The affliction of the white man, his great psychosis is a project, a
goal—and all else before the man is seen by him as lost, or a journey but not
the goal, a series of phenomena that will occur along the way (the journey)
that must conquered, overcome, but do not themselves constitute ‘the objective.’
Objectives, goals, purposes, projects—this western mindset is an excellent form
of living suicide—all else dies, all else is murdered, all else is sacrificed
as irrelevant. A man must have goals, objectives, some project. A man must be a
demon and a bastard to all that inhabits the now and live only in the
objective, that white, silent hollowing cancer, the killer of childsouls, the apologist
of the destruction of forests, beaches, the theme songs of wars, office
buildings, it is the chlorine gas cancer of the west, and it is what makes The
West precisely what it is. Let these men and women have their projects and
goals until their graves. The white man speaks of his struggle as he carries
his body over vast stretches of land? What is his struggle, what is he worried
about? Why is the white man so unhappy? Why does he wish to destroy everything
in his path and catalog what remains? So what if he does not reach the other
end of the great ice field. He makes such a fuss about everything. He will be
silent when he freezes.
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